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Archive: July, 2000 |
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Acoustic Spotlight
Archives
The idea is to keep the parent one step ahead of the child. Both come to the lesson. “This is a good approach. It keeps parent and child interested. You’d be surprised how carefully the child listens to the parent’s lesson. An added benefit is that children do better when there is music in the family.” Beezy’s classes include lots of improvisation, harmony training and theory. “Students should first hear the music in their head and then find the note on the instrument. This way they learn to hear the musical elements.” Her teaching credentials are impressive. She studied at the Dalcroze and Turtle Bay Schools of Music in New York City and the Manhattan School of Music. She has often taught disadvantaged, mentally challenged and disturbed children–people who can sometimes only be reached through music. She once taught in the infamous “Hell’s Kitchen,” an area of Manhattan known for violence and poverty. Beezy was born and raised in Manhattan. Her father was a printer, her mother a preschool teacher. She has one brother. The nickname ‘Beezy’ came from the efforts of a small cousin to say her name, Louise. It has stuck with her. Beezy’s father, uncles, aunts and many friends played guitar and often sang folk music in the home. Her mother played piano. Beezy took up the guitar at about age ten, then learned recorder and banjo. She led family singalongs from an early age and played in folk groups from the age of seventeen. Beezy and Don Johnson, an acoustic-Celtic-folk duo known as Troubadour, have been singing together since 1990. They are currently engaged as lane musicians at the Colorado Renaissance Festival. Their minstrel style works very well in that venue. “Musicians and audience are so close together there. People seem to really enjoy being face-to-face with the musicians. The children are fascinated with the different instruments we play.” Troubadour is also a favorite at the Black Rose Acoustic Society, where they recently performed their fourth featured spot. Troubadour’s music appeals to a wide range of audiences. You’ll find them as costumed performers at many regional festivals, at coffeehouses and restaurants and in retirement homes. A highlight came this year when they were invited to participate in John Stansfield’s Storytelling Festival at the Fine Arts Center. Beezy and Don have just completed their sixth CD/tape as Troubadour. Entitled American Memories, it is comprised of standard American tunes. A new project was to learn several 17th-Century English court dance music from the days of King Henry the Eighth. The pieces are elegant and graceful and tell a story of life in that period. These are performed at the Renaissance Festival. “All cultures have music and music touches everyone. It is the universal human expression that binds us together as humans.” Beezy’s philosophy of the power of music reaches us all here in the Pikes Peak region. Would anyone who has not been touched by the music of Beezy Taylor please stand up? … See what I mean? |